Solo & Small Ensemble
2020 - Real And Unreal Irreversibilities (solo contrabass and string quartet)
2019 - Apophenia IV: A Bell In Every Finger (baritone, piano, percussion, contrabass
2018 - How To Talk To Your Children About Not Looking At The Eclipse (solo flute)
2018 - Trust Fall (for New Thread Sax Quartet)
2017 - Transmigration of the Serpent (vln, bcl, & perc, for Lost Dog Ensemble)
2017 - Alien Generator (5-string solo contrabass, 10 minutes)
2016 - String Quartet No. 1: Unbroken (composed for the Momenta Quartet)
2016 - Apophenia 3: The Index (piano, guitar, violin)
2015 - I Kiss The So-Called Dawn (two voices and percussion)
2014 - Fanfares for Two Violins (composed for the violin duo String Noise)
2014 - Terminal Affirmative (violin and bass drum)
Large Ensemble, Opera, Music Theater
2019 Secrets Of Green-Wood (Shadow puppet show by Sarah Krasnow & James Ilgenfritz with Anagram Ensemble, for the 2019 Exponential Festival at The Brick Theater)
2019 I Looked At The Eclipse (new opera for five voices, 10 instruments, and video. Premiered by Anagram Ensemble at Roulette, Brooklyn New York, 60 minutes)
2019 In The Summer Every Truth Is Like A Saturday (World Premiere by Studio Dan in Ostrava, CZ. US premiere by Anagram Ensemble at Roulette in Brooklyn, NY, 20 minutes)
2019 Apophenia V: Outmoded Large Crumbling Oval Lime-Green Midwestern Plastic-Frame Reading Glasses
(for the Ghost Ensemble, June 2019 at New York Professional Outreach Program)
2016 Bracket The Referent (fl, bcl, tpt, tbn, 2 perc, vln, vla, vcl, cbs, 11 minutes)
2014 Deleted Scenes (for Anagram Ensemble and SLEEPDANCE, 60 minutes)
2011 The Ticket That Exploded (opera for four voices & large ensemble, variable instrumentation,75 minutes)